Old is good


25 March 2005

 
 

A recent post in the forum by ksporry regarding medium format cameras got me thinking...

Just how many licks does it tae to get to the tootsie roll center of a tootsi pop?

No, not really.

It got me thinking about my own progression in photography over the years.

I started out with a minolta waterproof 110 film camera. This was a christmas gift when I was 12 or 13. It served me well into my 20's. When I was 26 I bought a Pentax PZ-10 SLR witha 28-210 f1,334,256 zoom. (OK, maybe the lens was not quite that slow, but I didn't know my apertures from a hole in the ground at that point in time...) This I used to document some of my time in the wilds of Alaska. This camera was my main photographic tool until the year 2000 when I bought my first digital camera, an Olympus DR340R 1.3 megapixel beauty. After my first digital camera the upgrades started to happen much faster and now I have worked my way through to my second generation digital SLR.

In these days of bajilion frames-per-second gigapixel pro SLR bodies that can almost take MOVIES due to the their high frame rates it has become more and more difficult for me to take good candid street shots.

People seem to be more than a little bit intimidated when I winch up a behemoth Canon 1D Mark II to my eye and I snap off a few photos of them. The mirror slap really is too much of an attention getter. (That was one thing I LOVED about the Olymus E-10. It has a leaf curtain shutter that is about as silent as you can get)

But with all this new gadettry I have found that taking a few BIG steps back technologically is the key when looking for the perfect gear for candid street photography.

A solution for a lot of people is to use a 35mm rangefinder. A Leica for those with money to burn, or for the more fiscally conservative in the crowd something like a Voightlander Bessa. Or if you really want to go ghetto grab a lomo or an old 70's rangfinder like an Olympus DC....) I do use a Lomo LC-A and some older 70's rangefinders, but Iseem to prefer a little more "real estate" in my negatives.

Enter the Medium format 6x6 TLR.

35mm is good. No question there. The cameras are smaller and lighter, and the controls are intuitive. But where 35 mm is good, medium format is Great. If only for the reason that the negative are ALOT larger. This means sharper images, with better tonality and more true to life color gradation.

For my purposes I have found that the old fashioned TLR is the best. TLR stands for Twin Lens Reflex. As opposed to a SLR (Single Lens Reflex) camera where the same single lens allows you to both frame the shot AND take the picture, a TLR is a little bit different.

For those of you who are not familiar with TLRs, think about the last camera you say your grandfather, (or HIS father) using. The old vertical box with two lenses that requires you to look down on a ground glass focusing screen.

"The Grandpa camera" I like to call it.

The fact that the image is horizontally reversed, ie, when you pan right the image appears to go left and vice versa can be quite tricky to get used to, especially when trying to level a shot. And while at first you won't find yourself tagging ducks on the wing and getting off spectacular hip shots, after a while you start to get the hang of it.

Another thing I really like about it is that the shutter is REALLY quiet. There is also the benefit that a lot of people have a hard time recognizing the thing as an honest to goodness camera. This means you can catch people in a more relaxed, natural state.

The fact that you don't need to bring it up to your eye to take a picture makes it a lot easier to just turn and grab a scene without appearing to have realy done anything.

And even if they do recognice it as a camera, they don't take it very seriously because after all, what sane person would be using on of "Those Old Things? "Do they even make film for them anymore....?" is a common question I get when using it.

Ahhh.... But there in lies the magic of it all.

Little do these people realize but this camera, a dinosaur from the past, is capable of producing some of the most oustanding results.

And speaking of dinosours, scientists have recently discovered actual soft tissue in 70 million year olf T-rex bones. Can anyone say "Jurassic Park"?... Now THAT would make for some interesting photography...

Most people don't realize it, but the camera as an image recording tool was perfected long ago. All that has really changed is that they have become cheaper (in a bad way), faster, and smaller. But when you come down to it, it is still just a light-tight box with a lens on one side and film on the other. If you don't need speed, and can get by with a camera the size of a can of Foster's Lager, then a TLR is for you.

They are also fully manual. I am not ashamed to say that this scared me a little at first. After all, digital is what I have shot for 5+ years now where if I needed to, I could let the camera decide what exact settings to use. But as time has gone by I have started to less and less rely on the camera to make these decisions and more on myslef to decide what settings to use to get the look I wanted.

So go out and grab an old film camera. you just may surprise yourself with the results.

All of today photos were shot with my trusty Rolleicord Vb 6x6 TLR.

Comment 49


Women in Kimono - Shinjuku (Rolleicord Vb 6x6 TLR)

Woman on bike waiting to cross street - Shinjuku (Rolleicord Vb 6x6 TLR)

Sick man reading on subway - Tokyo (Rolleicord Vb 6x6 TLR)

A tea advertisement in a subway station brings back memories of Kyoto for me (Rolleicord Vb 6x6 TLR)

Shinjuku (Rolleicord Vb 6x6 TLR)

Row of Ojizo at a temple - Enoshima (Rolleicord Vb 6x6 TLR)

Wide shot of the same place (Rolleicord Vb 6x6 TLR)

Boy at train station - Yokosuka (Rolleicord Vb 6x6 TLR)

Busy Shinjuku sidewalk right outside the train station (Rolleicord Vb 6x6 TLR)

Temple bell - Enoshima (Rolleicord Vb 6x6 TLR)

 

 

 

 

 

 

 

 

 

 

 


 

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